Features on the Television Industry: Music in Television - Start Up Music. Visual and Audio goes hand in hand in television and films so the role of sound of music cannot be overlooked in either television or film. Music in television has also changed over the time all over the world in various aspects. In this collection of articles in The Music in Television we present the evolution of music in television and the lives of the people who are involved in composing music for television and how things changed over the years. In the Television Features Section you will also get to know about History of Television, Business of Television, Music in Television and Global Television Scenario
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Music in Television: Start Up Music

 
 
 

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The Music of Television: Part 5 (Gone Are The Days of Start Up Music)

Good afternoon, Britain

This routine, which marked the transfer from testcard to programming each day, had developed out of ITA regulations of 1955. It was essentially a piece of cod-ceremonial, which was typical of Britain in the years after the coronation.

In a broadcasting industry dominated by a territorial formality, the specially-commissioned daily opening music was intended to be a declaration of style and purpose, almost a ‘mission statement’ for the company concerned.

In a world where ‘design consultants’ and ‘brand management’ were unheard of, the board of directors of each company would commission the graphic designers, and composers (such as Sir William Walton, Eric Coates and Richard Addinsell) to come up with a strong on-screen identity. The station fanfare would often be derived from the full piece.

At a time when broadcasting hours were restricted by government, there would typically be three or four start-ups per day. Schools programmes dominated the mid-morning and early afternoon; topical programmes, in some regions only, were at lunchtime; and the day’s main broadcasting started around 4.45pm (4.20pm in Wales). Weekend broadcasting commenced earlier.

This gave enormous scope for yesterday’s children – today’s broadcasting enthusiasts – to be dazzled on a daily basis by dramatic music and an iconography that almost represented for some children the emotions of idolatry.

We were gripped by the anticipation of another evening’s package of programmes, presented by friendly announcers in company blazers, heralded by the daily switch from transmitting authority to franchise holder. This hand-over was normally at the start of the concluding verse of the station theme, and would be represented by the dramatic ‘form-up’ of the company symbol as the music reached a crescendo.

Imagine, if you will, this fading imagery of a Britain long gone, where television was still a novelty and children sat entranced in front of the screen. 

KIF BOWDEN-SMITH

Compilation © 2001 Transdiffusion Broadcasting System
Text © 2001 Kif Bowden-Smith. All rights reserved. Used with permission.

 

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Music in Television: Start Up Music

Features on the Television Industry: Music in Television - Start Up Music. Visual and Audio goes hand in hand in television and films so the role of sound of music cannot be overlooked in either television or film. Music in television has also changed over the time all over the world in various aspects. In this collection of articles in The Music in Television we present the evolution of music in television and the lives of the people who are involved in composing music for television and how things changed over the years. In the Television Features Section you will also get to know about History of Television, Business of Television, Music in Television and Global Television Scenario
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